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- Release date: 2019
- Ashutosh Gowariker, Chandrashekhar Dhavalikar
- story: Panipat is a movie starring Arjun Kapoor, Sanjay Dutt, and Kriti Sanon. The film is based on the third battle of Panipat which took place on the 14 of January in 1761 between the Marathas and the King of Afghanistan, Ahmad Shah
- 6,1 of 10
- 3162 Vote
- Ashutosh Gowariker
Panipat war. Panipat pin code. Panipat wars. Panipat movie full movie. I will never understand how Arjun Kapoor gets movies. He can destroy a movie single-handedly with his boring expressions. Totally miscast. Panipat official trailer. Panipat movie song. This is the worst movie ever guys go and watch anything else not this crap.
آحمد شاہ ابدالی ایک شیر تھا. Panipat war wiki. Panipat movie online to watch full. Panipat Story: In 18th century India, Shadashivrao Bhau, commander-in-chief of the Maratha army, leads his force in the Third Battle of Panipat against Ahmad Shah Abdali, the king of Afghanistan. Panipat Review: Ashutosh Gowariker’s magnum opus ‘Panipat’ is based on historical facts, taking some creative liberties along the way. Shadashivrao Bhau (Arjun Kapoor), is an able commander in his cousin Nanasaheb Peshwa’s (Mohnish Bahl) army. After a victorious battle against the Nizam of Udgir, Shadashivrao Bhau is chosen by the Maratha Peshwa to lead their army to Delhi. Ahmad Shah Abdali (Sanjay Dutt), the king of Afghanistan, has set his inroads into India after forming an alliance with Najib-Ud-Daula (Mantra) with the intention to defeat the Marathas and curb their expanding power. Joining Shadashivrao Bhau and his army on this arduous thousand kilometer journey from Pune to Delhi are also his wife, Parvati Bai (Kriti Sanon), his nephew and the Peshwa heir - Vishwasrao (Abhishek Nigam), his cousin, Shamsher Bahadur (Sahil Salathia) and his trusted aide, Ibrahim Khan Gardi (Nawab Khan). As they traverse through the expanse, they form alliances with other kings to form a robust army to counter Ahmad Shah Abdali's one lakh soldiers. And almost mid-way they come face to face with Ahmad Shah Abdali’s army, with only the raging waters of the Yamuna separating the armies. ‘Panipat’ packs in a layered narrative that delves into the complex politics of the period, the intricate workings of war strategies versus might, negotiation dynamics and the importance of forming alliances. And it also weaves in the love story between Shadashivrao Bhau and Parvati Bai. In fact, the chemistry between Kriti Sanon and Arjun Kapoor as their love story develops, is one of the high points of the film. But with a run-time of close to three hours and the many characters and plot points the film touches upon it becomes a lengthy and at times, tedious watch. Kriti Sanon pulls in a solid, effortless performance with a well-etched out character graph. Arjun Kapoor is sincere and shines in the final war sequence and the romantic scenes. Sanjay Dutt channelizes a menacing act effectively. The film has been mounted on a lavish scale and it comes through in almost every scene. The costume design (Neeta Lulla) and the sets and production design (Nitin Chandrakant Desai) are spectacular and stand out. The songs (Ajay –Atul) add to the mood and are well choreographed. However, it is in the final battle set in 1761, where the mammoth effort that has gone into making the film comes to the fore, as we witness a compelling war sequence. One that almost induces goosebumps. The cinematography (C. K. Muraleedharan), sound design (Stephen Gomes) and the visual effects also blend in seamlessly to give an authentic setting to this period film. The ensemble cast of Mohnish Bahl, Padmini Kohlapure, Zeenat Aman (special appearance) add to the milieu. ‘Panipat’ delves into a significant chapter in history and is a war drama that lauds the unshakeable bravery, courage and the strong principles of the Marathas.
Panipat last scene. Very bad acting ranbir kapor. its action movie but ranbir acting like baby. Panipat. Excellent movie. history is history ✌️. Panipat movie free online. Panipat ki ladai. Panipat refinery. Plz naina mam meri bhi teacher ban jao. Panipat movie wiki. Panipat war 3.
Panipat 2019.
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Panipat maratha. #BOLLYWOOD 98% Jhut felati h vo humesha Negativity Expose karti h. Now give me full move. Panipat court. Panipat trailer reaction. Panipat near me. Ask Sikhs about what Abdali was all about and you will get another version of the story. Panipat showtimes. Panipat war in hindi. Panipat box office collection. Panipat cast. Panipat collection. Panipat movie reviews. I will definitely going to watch Panipat on Dec 6. Definitely a must watch for Indians. Great Efforts of putting realistic touch in everything.
You can't compare this one from bajirao mastani ( as I saw on social media) because it has its own different concept, it is about a great battle, about Indian's memorable work by Ashutosh 't judge it only by trailer, you will know when you'll watch that this kind of movies are one of a kind for a particular nation's honourable it,understand it,feel it,acknowledge characters are Good specially Sanjay Dutt including Arjun Kapoor ( people were Criticizing him & comparing him from Ranveer which is not right because Sadashiv Rao is far different from Bajirao) Sahil Salathia's acting as Shamsher Bahadur. Music is good specially' Man mein Shiva" song. Great watching.😊.
Panipat trailer. Panipat songs. Arshad : munna bhai kidar hai. 😁 John : akshay kumar kidar hai. 😁 Anil kapur : in sabki maki ankh apunke uday bhai kidar h😁😘😘😂. Panipat review. Panipat war 2. Panipat imdb. Panicatthedisco. Panipat india. I m really u guys liking my writing skills in that as a aathiya's acting trainer, its my double proud, that u all encouraging yes she acted nawaz bhai is great director debmitra done wonderful i am... i m to panah tussi great ho wali feeling main hai... Sabhi likers and commet karne walon ka shukriya dosto.
Panipat map. Panipat is a 2019 Bollywood historical drama, helmed by Ashutosh Gowariker. The movie stars Sanjay Dutt, Arjun Kapoor and Kriti Sanon in the lead roles. The film is based on on the Third Battle of Panipat which was fought between the northern expeditionary force of the Maratha Empire and invading forces of the King of Afghanistan, Ahmad Shah Abdali, supported by two Indian allies-the Rohilla Afghans of the Doab, and Shuja-ud-Daula, the Nawab of Awadh. Set in 18th century India, Ashutosh Gowariker's 'Panipat' begins with a glimpse into the valour of Sadashivrao Bhau (Arjun Kapoor), commander-in-chief of Maratha army as he tactfully defeats the Nizam of Udgir. On returning back to Pune after the victory, Nana Saheb Peshwa (Mohnish Bahl) showers him with praises. Meanwhile,...
Panipat full movie online. The movie is ok and focuses very well on story. The songs were not interesting at all. It is a one time watch bit not something mind blowing. Sanjay Dutt plays the Afghan emperors role way better than Arjun Kapoor plays Sada Shiv Rao(Maratha.
If you are free go watch this movie otherwise not recommended.
Panipat reaction. Home / Bollywood / Panipat movie review: Arjun Kapoor-Kriti Sanon film is intriguing but tedious Panipat Cast: Arjun Kapoor, Kriti Sanon, Sanjay Dutt, Mohnish Bahl Director: Ashutosh Gowarikar Sitting down to watch an Ashutosh Gowarikar period drama, you know what to expect -- lavishly mounted sets, spectacular locations, larger-than-life characters and an extraordinary line-up of supporting cast. Panipat has all this in abundance. Starring Arjun Kapoor and Kriti Sanon in lead roles with Sanjay Dutt as the antagonist, the film is based on the Third Battle of Panipat that was fought in 1761. Watch the trailer of Panipat here: As Maratha forces take on the Afghan invader Ahmad Shah Abdali (Sanjay Dutt), they are led by the commander-in-chief Sadashivrao Bhau (Arjun Kapoor), along with the Peshwa heir and his nephew Vishwasrao (Abhishek Nigam), his cousin Shamsher Bahadur (Sahil Salathia) and a Muslim aide Ibrahim Khan Gardi (Nawab Shah). Abdali, meanwhile, is being supported by Najib ud-Daula (Mantra). To ensure there is no historical inaccuracy, Gowarikar keeps as close to the facts as possible, taking only a few cinematic liberties. There are a few surprises in the outcome of the battle itself, most of us conversant with details of what happened via our history books. However, Gowariker manages to make the face-off larger-than-life. The climactic war sequence is elaborate, gripping and keeps you on the edge. As thousands of warriors take the final stand with majestic animals in tow, the director ensures that you are invested in the outcome. Panipat balances the war and political manipulations with beautifully choreographed and well-synchronized dance sequences. Even if song-and-dance appears to be a misfit in the situation, you love watching them for the grandeur. Adding to the mood are the songs by Ajay and Atul. Panipat is based on the Third Battle of Panipat. CK Muraleedharan’s cinematography deserves applause from start to end. The aerial shots during the dance sequences and the final war scene leave you speechless. While visual effects are on point, the editing is a bit loose and falters at some places. Arjun Kapoor delivers a sincere performance. He gets under the skin of the character so seamlessly that it’s tough to distinguish the actor from the Maratha warrior he is shown playing. The war scenes are some of his best shots. The conviction — right from his look, attire to dialect and sword fighting sequences — is there and Arjun’s hard work shows. Also read | The Marvellous Mrs Maisel season 3 review: This one will give you a sugar rush Kriti, on the other hand, looks a tad too over-the-top. Being a Delhi girl, the Marathi accent and dialect doesn’t suit her and sounds fake and forced. The only good part here is that her character is well-etched and gels well with the story. Sanjay Dutt as the tyrannical Afghan invader makes his presence felt. Menacing and terrifying, he gets into the mood of things. He looks old with evidently highlighted wrinkles, but he flaunts them with elan. Dutt looks strikingly similar to Ranveer Singh’s Khilji from Padmaavat in his introductory scene as he smashes his betrayer’s face with his crown and then nonchalantly wears it on his head. Among the supporting cast, Mantra shines as the baddie. His Najib ud-Daula is conniving and deceitful and the actor looks good while doing that. Mohnish Bahl as Nanasaheb Peshwa is powerful with that husky voice but gets limited screen time. Padmini Kolhapure’s cameo as Peshwa’s wife is refreshing and she impresses playing that slightly layered character. Zeenat Aman’s special appearance disappoints; it appears as if she is reading her dialogues from a teleprompter and her drowsy eyes and wooden expression only make it worse. Amid all this, the biggest problem with the film is its length. While Gowarikar may feel he needs 173 minutes to justify his magnum opus war drama, the film lacks pace, especially the first half that’s a yawn-fest with the story taking its sweet time to build up. The love angle between Sadashivrao Bhau and Parvati Bai (Kriti Sanon) was a bit too much to focus on especially in a film that is primarily showcasing one of the most important battles fought in Indian history. However, as their love story unfolds, their chemistry is quite convincing. Overall, Panipat is an honest attempt at recreating the war that we only read in history books until now. It’s a tribute to the Maratha community in its truest form and even it was shorter by an hour, it could have had the same impact. Follow @htshowbiz for more.
Panipat hindi movie. India Ko attack Kiya kyoki Indian (hum me Ekta kum thi ) aaaj bhi hum Hindu Muslim me fase hue he {Be a strong nation without relegion} jai Hind. Panipat battle 3. Sanjay Dutt in a still from 'Panipat'. 4 min read. Updated: 06 Dec 2019, 08:59 AM IST Ashutosh Gowariker’s film is about the 1761 Battle of Panipat, between Maratha and Afghan forces ‘Panipat’ plays up invader/patriot stereotypes, but is attuned to historical maneuvering Thousands of miles from their respective homelands, the Maratha and Afghan armies stare each other down across the battlefield of Panipat. It’s 1761; the Marathas rule over most of India. Their general, Sadashiv Rao Bhau (Arjun Kapoor), gives a pretty speech about how theirs is a Hindustani sena, comprising Hindus and Muslims, people of different castes and professions. His opposite number, Afghan ruler Ahmad Shah Abdali (Sanjay Dutt), offers no words of encouragement to his troops. Instead, he simply calls for a start to the hamla (attack), a word whose most common usage today is to refer to terrorist attacks. This contrast is indicative of the tug-of-war at the heart of Panipat – between the kind of historical film that’s popular today and the kind of film Gowariker likes to make. In Lagaan, Swades and Khelein Hum Jee Jaan Sey, a ragtag group comes together to work for the country. You see this in Panipat too, with Sadashiv stitching together an 18th century rainbow coalition. When Rao takes the Udgir fort from the Nizam of Hyderabad, he refuses to execute the enemy general, Ibrahim Khan Gardi (Nawab Khan), adding him to his army instead. When his commanders warn him that a Gardi is not to be trusted, he reminds them that Shivaji’s army also included Muslims. But visions of togetherness alone won’t cut it in 2019. So Gowariker also plays up the divide. Before we even see Abdali, there are pointed shots of his courtiers being served meat, and a close-up of a knife being buried in a cooked bird. A little later, moments after Dutt’s frightening visage is revealed, there’s an assassination plot. Abdali survives, stabbing conspirators and beating the last one to death with his Kohinoor-emblazoned crown, which he then wears (Audiences will recall another Afghan making a murderous start to a film: Alauddin Khilji, perpetrator of treason in 2018’s Padmaavat). Like other historical films of the last two years, Panipat is dominated by Hindu iconography: a Shivling, a song about Shiva, and – if my eyes weren’t playing tricks on me – an aerial view of the Maratha army in the shape of a saffron-and-green Ganesh. Abdali is shown offering namaaz once; Gowariker wisely opts not to frame his invasion as a holy war. The Afghan king is shown to be a smart, if brutal, leader, trusting his instincts over the promises of the unctuous Najib ud-Daulah (Mantra). Dutt, looming over the camera, is a wonderful heavy, certainly more of a force than Kapoor’s stiff-backed peshwa. Had the writers found ways to contrast them more subtly, this would have been a richer film. As it stands, you get Abdali murdering his soldiers in fits of rage, while Sadashiv dances with his compatriots and looks positively terrified by the frank advances of Parvati Bai (Kriti Sanon). Panipat is made in the shadow of Sanjay Leela Bhansali’s Bajirao Mastani (2015). Not only is Bajirao’s son, Shamsher, a character in this film but Parvati remarks, when Sadashiv is set to leave, that she’s heard peshwas who go north “return with a Mastani". There’s even a leaf taken out of Bhansali’s love-is-pain handbook, with Parvati, a physician, makes overtures while tending to Sadashiv’s war wounds. But Gowariker doesn’t have the stomach for it. Sadashiv may win over his love by slashing his hand, but the blood-letting happens offscreen, and Parvati doesn’t cut herself in response, as Bhansali would have preferred. Panipat does do something that Bhansali, and the other directors of recent historical films, didn’t bother with – which is to give the viewer a sense of history playing out. The film spends some two hours of its 170-minute runtime clearly setting out the events leading up to Third Battle. We see Abdali and Sadashiv entreat and threaten their way towards building their armies, meeting Rohillas, Rajputs, Mughals and anyone else who can help (the pick of these cameos is Kunal Kapoor as the much-sought-after Shuja ud-Daulah, his voice a sandpaper rasp). Some of these vignettes might stretch historical credulity, like Parvati asking for supplies from Sakina Begum (Zeenat Aman), but they give a sense of the political maneuvering that preceded any war in those times. Though Sadashiv sneers at politics, the film doesn’t, which is a relief. The battle itself is a mixed bag. Some of the strategic decisions have the ring of authenticity – an “Eid ka chand" formation, cannons fired off camels’ backs – and most of the action conforms to the realm of earthly physics, which was not the case in Bajirao or Manikarnika. But the CGI lets Gowariker down, and there’s little sense of the ebb and flow that must have accompanied the real clash, one of the largest in 18th century India. Then there’s the unfortunate decision to make the Afghans comic villains, all bulging eyes and sneak attacks, while the Marathas are filmed fighting (and losing) in devotional slo-mo. My favourite scene comes a little earlier in the film. The two armies are camped out on opposite shores of the flooded Yamuna. Abdali and Sadashiv get their first look at one other via telescope. The frame is a static iris shot, like early cinema. Both men talk aloud, addressing the other. Even though there’s miles of raging river between them, they appear to be having a conversation. It’s one of those moments which wouldn't work on paper. You’d have to see it on film. Close.
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